Gabriel Guerrero, a Colombian-born and NYC-based pianist, composer and educator has given us eleven charming and silky-smooth tracks to enjoy on his new record Equilibrio - while at times verging on the inoffensive and anodyne, Guerrero and his band QUΔΠTUM provide enough energy to keep listeners engaged with their particular brand of high end jazz.

With his latest album release ‘The Crew,’ singer Bryan Hughes demonstrates a (personally) much-appreciated earnestness and true love for the Great American Songbook. While still bringing a fresh and modern take to these tunes, Hughes and his crew so passionately remain true to the jazz tradition.

Solidarity is an assured debut record by Colorado composer, arranger and trombonist Zach Rich – at points one’s shocked that this his first foray into studio recording as a bandleader. Blending a full chamber jazz sound with influences from more-contemporary composers, Rich paints a vivid sonic tapestry that captivates from start to finish. Replete with skillful musicianship from players like Gavin Allen-Dunn and Austin Cebulske, Solidarity is a worthwhile purchase for any attentive jazz enthusiast.

The Pacific Northwest has become something of a hotbed for great new jazz music in recent years, with the region producing forward-thinking artists and records at a seemingly improbable rate. Bill Anschell, one of the most talented pianists working in today’s scene and a Seattle native, was not someone known to rock the boat: previous albums such as Rumbler and Blueprints operated within the existing bounds of mainstream acoustic jazz, filled with technically gifted playing but did not aim to reinvent the wheel. Improbable Solutions, Anschell’s best release to date, changes all that.

Vocal jazz has been on the wane in recent years - as contemporary musicians veer either towards the bleeding edge of avant-garde jazz or the J Dilla-inflected stylings of jazz rap, the moody vocalists and smooth records that once were the standard bearers of popular jazz music fade from view in a genre that seems increasingly unfriendly to the music of Mel Tormé, Dinah Washington and ol' Blue Eyes himself.

If it sounds like drummer John Bishop and pianist Bram Weijters are playing like their hair's on fire, in a way, they are - Bishop, Weijters and bassist Piet Verbist made yearly trips to the Belgium city of Antwerp, using their time in the city to record, jam and play over a hundred shows as a trio that overflows with effortless chemistry. The COVID-19 Pandemic changed that with strict international travel restrictions meaning the three friends couldn’t make their usual trip to the city on the Scheldt.

O Som Do Jazz, despite what the name may imply, is not a purely Brazilian affair. A Brazilian vocalist, backed by American, Colombian and Cuban players each put their own spin on the established genre conventions. Comprised of seasoned musicians such as husband and wife duo David and Andrea Moraes Manson, José Valentino (appearing both on the flute and tenor sax) and Tabajara Belo on guitar, O Som Do Jazz has released one fine collection of songs in Aberto that pays loving tribute to the classic Brazilian sounds of Bossa Nova and música popular brasileira over eight carefully composed tracks.

Tiny Big Band 2 opens strong; a mysterious piano figure sets the scene before giving way to a sprightly tenor saxophone. All the players move through bandleaders Nikos Chatzitsakos’ charts with skill and nerve on “All or Nothing at All,” with the joy of the ensemble coming through the recording loud and clear. The best part is? It only gets better from here.

Ona K’s new album Full, New, Luna is a triumph of vibrant artistry and pure craft within each of the 12 tracks (46 minutes in run-time) and offers a dynamic mix of jazz, Latin, pop, and soul sounds that will captivate anyone who listens. The seamless fusion of genres creates a tapestry of sounds and feeds the creative soul. With something for everyone, this album is the perfect gateway to explore the different music styles presented.